The Greeks had a word for that, too: nostos-the root of our own word "nostalgia." The Iliad and the Odyssey together are about the competing desires for kleos and nostos, which we can boil down to the desire to die gloriously in battle and the desire to die quietly at home in bed, surrounded by your family. But even warriors have to go home eventually, and the Odyssey is all about the desire to go home: to see a familiar face, to kiss your wife, and to give your old dog a pat on the head. Which is awesome in its own way, and it made a fun, if not very accurate, movie. Basically, it's full of pages and pages of heroes doing heroic things heroically. The Iliad is all about achieving glory and fame through warlike deeds, a concept the Greeks called kleos. But don't let any prejudice about sequels throw you off: the Iliad and the Odyssey may have a lot of the same characters, but they're more like fraternal than identical twins: they complement each other. In a way, the Odyssey is a sequel to Homer's Iliad, a poem about the decade-long Trojan War. Its hero is Odysseus, who is basically the Jon Hamm of Ancient Greece: smart, strong, attractive, brave, beloved by the gods, and way cooler than you are. But not just any man, and not just any war. Composed (maybe) by a poet named Homer (maybe), it tells the story of a man trying to make his way home from war. Written down sometime between 800 and 600 BCE, the Odysseyis of the best known and most stupendously awesome works of ancient literature-make that any literature.
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